For Europe, the nineteenth century was an age of radical change. As science and technology challenged old views, political revolution challenged the old dominations of church and monarchy with the upheaval of the French Revolution of 1789, a sequence of revolution, counter-revolutions, and civil wars in Europe and America continued the assault upon established power. In a world that was experiencing a population explosion of extreme magnitude, revolution followed revolution, including the industrial revolution in which modern ideas of nationalism were born. This was an era in which patriotism and imperialism existed side by side. Although modern sculpture and architecture are reckoned to have emerged at the end of the nineteenth century, the beginnings of modern painting can be located earlier. The date perhaps most commonly identified as marking the birth of modern art is 1863, the year that Édouard Manet exhibited his painting Le déjeuner sur l'herbe in the Salon des Refusés in Paris. Earlier dates have also been attributed to 1855, the year Gustave Courbet exhibited The Artist's Studio and 1784. the year Jacques-Louis David completed his painting The Oath of the Horatii.
Which one is right? Well, none of them are "wrong". (Here, it was simply a case of "1880" working out well, for me, in terms of organization.) For simplicity's sake, let's just say that Modern Art began in the 19th-century, and ran through a whole slew of "-isms" up until the end of the 1960's. Regardless of chosen starting date, the crucial factor is that Modern Art means: "The point at which artists (1) felt free to trust their inner visions, (2) express those visions in their work, (3) use Real Life (social issues and images from modern life) as a source of subject matter and (4) experiment and innovate as often as possible.
The single most important thing one need remember about Modern Art is that it is entirely different from Contemporary Art. Modern Art began around the time of...
Cited: 1) Hughes, Robert The Shock of the New (1991), New York: McGraw-Hill
Please join StudyMode to read the full document