Discuss the Impact of Digital Technology on the Production and Distribution of Music.

Topics: Technology, MP3, Compact Disc Pages: 4 (1539 words) Published: May 20, 2007
Over centuries past, music has seen leaps and bounds in the enhancement of theory, instruments, and recording arts. The first major leap was the invention of the piano in 1709 by Bartolomeo Cristofori. From that first major step came the introduction of electronic instruments short after the harnessing of electricity which came in the early 19th century. Soon after that came recording and then on to synthesizers and eventually digital recording. As computers were introduced to society, computer music was also brought into our vision. What we are seeing today in the music industry is the use of computers and the Internet to distribute music, whereas in the past, distribution was only available via record, eight track, tape and compact disc. There are a few problems that come with the distribution of music via the Internet, mostly legal, having to do with record companies. With computers becoming a bigger and more important part of our society everyday, it is inevitable that they will affect our music more than what they have already. Computers will become even more depended upon for producing and distributing music in the future.

The evolution of the music industry has been deeply influenced by the developments in technology. One could argue that technology has been many times a challenge for existing modes of cultural production, its economic relationships, and the law. New technologies often find existing relationships unprepared for changes, so technology becomes the vehicle for transformation and further development of existing relations. Unusually the first reaction is an attempt to incorporate new developments into an existing framework and then to use them for profitable purposes. For example, look at the impact of Johann Gutenberg's invention in the 15th century. Gutenberg's movable type created in one sense the foundation for the modern music industry. control of the duplicating process had moved from the hands of church into those of the entrepreneur....

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John Alderman, 2001. "Free for all," Guardian 's Weekend (8 April), pp. 50-55.
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Tony Dowmunt, 1998. "An alternative globalisation - youthful resistance to electronic empires," In: Daya Kishan Thussu (editor). Electronic empires: global media and local resistance. London: Arnold.
Hans Fantel, 2000. "Music by mouse, A.K.A. MP3," Opera News, volume 64, part 10, pp. 26-27.
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Reebee Garofalo, 1999. "From music publishing to MP3: Music and industry in the Twentieth Century," American Music,, volume 17, part 3, pp. 318-353.
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